Our good friend matt sharp is closing his first solo show this friday at the architecture gallery. looks like everything went off. its one we were sad to miss.
sorry for the lack of updates as of late. we are definitely still alive... thanks for the messages. ha. we have a been a bit behind on this issue, with ike and whatnot. should be on the streets soon. very soon. stay with us.
its the one year anniversary of case, so we thought we would try some stuff a little different this issue. don't really want to give a lot away.
thanks for the continuous love. see you on the streets.
from primo... "Stick 'Em Up! is a documentary that takes an in depth look into the over shadowed world of wheat pasting in Houston, Texas. You will not only get a candid view of the daily life of several street artists but we will also focus on the other perspectives & opinions from city officials, art critics and everyday citizens. "
sublime stiching is doing another artist series set, this time with michael sieben. they do fun stuff. oh, and check out michaels interview in issue four (on the steets soon)
so, here we are again with a handful of tickets, and nothing to do with em. this time to the atmosphere show in houston @ the warehouse live (tues. september 30th) these guys havent played houston in a long ass time, so im sure it will be a good one.
here's the deal... we are going to give away five(5) pair of tickets, but want to make the contest simi-original how about a concert poster contest?!
*1. all entries must be in by friday september 26th
*2. poster must include date(9.30.08), location(warehouse live 813 Emanuel), and of course the lineup.
*3. anything goes.
please send all submisions to info@casezine.com or myspace.com/casemagazine
this was definitely one of the most fun we have had doing an interview.
1 a.m. downtown houston 2007.
How did you start your rap career?
I started while I was doing youth ministry. I met a minister in Bushwick, Brooklyn and he had an out-reach program for the youth that I got into. I traveled a lot in there, and that took me to see family in Houston. That is where it all fell into place.
So, is that where the name Bushwick Bill came from? Yeah, I’m originally from Bushwick. Brooklyn.
How did you go from being a youth minister from being a member of the Geto Boys? I was really dramatic because I was in bible school for four years, came to Houston to visit my sister, then two years later I was a member of the Geto Boys. Because I stayed here a bit longer than I expected, I took a job working as a bus boy at a club. Throughout the night I would start breaking, locking, popping, that type of thing, and this dude Little Jay, kept coming by to check me out. The crowd would clear the floor and watch, so he decided to hire me as the hype man for the Geto Boys. I got on the first album, and by ’89 he said he thought I could rap. I was always in the studio when they were working on the album, and by that time a few guys have already quit the group, so I guess he thought this was a good time. John Vito, who also taught Scarface, said he could teach me, and before you knew it I was Bushwick bill the rapper.
It looks like you took a 360 with your career, focusing more on uplifting messages; what brought this on? Like I said, when I came here I was in bible school, so I wasn’t a stranger to God, it’s just that when the fame hit, it overwhelmed me. I saw so much fame, so many women, so many drugs; I completely turned away from God.
Do you think you will reach more people with your new message than earlier in your rap career? Most definitely. If you look at those songs, I was always depressed and never really focused. I never really lived my life for God. I tried to kill myself when the label wouldn’t give me $500. I didn’t understand that when you put out a record, distributors hold that money for a certain amount of time, then they give it to the label, then finally the artist. I didn’t understand any of that, so I figured, what greater love than give your life for your mother. I thought that if I killed myself, that my mom would get the insurance money, but because I was 18 it was up. God spared my life in spite of my ignorance. I didn’t really want to die, we were famous, putting out records and had videos out; I figured, if I couldn’t come up with $500 what was the point of living. Of course, I was drunk of quite a few things, and later found out that the weed I had been smoking had formaldehyde on it. All of that really influenced my thinking. All day I was trying to figure out how to kill myself.
How close were you to death? They had pronounced me dead until they tagged me. When I came to I was in the morgue being pushed into that drawer thing, when I sat up telling them I had to pee. The mortician and the police officer, who I accidentally peed on as he was running out of the room, were totally tripping out. I wasn’t supposed to be alive. I was pronounced dead on arrival.
I have to admit, that’s pretty intense. But its real life. Go to Ben Taub, and they will have the story on it.
Do you still keep in touch with the old crew, Rap-a-Lot or the Geto Boys? I’m not against Rap-a-Lot or the Geto Boys, but I know I don’t want to make any more music disrespecting women, glorifying street violence, or any of that. I’m tired of sending that message, knowing that kids are looking up to me and thinking that’s the way to go. Today’s music is all about cars, jewelry and how many women you can get. I just don’t want to do anything negative. I want to make positive music that actually teaches kids about life.
So, you don’t see any more Geto Boys albums in your future? If they asked me to do another album, it would have to something like the song, ‘Leanin’ On You,’ like we did on The Foundation album. Songs about God are the only ones I will appear on. Or like ‘The World is a Ghetto,’ it has to be a substantial issue. It can’t just be another song about the hood, glorifying negativity.
Was there anything in particular that changed your views on rap? It was an ongoing thing, but in one show in Indiana, I saw one kid just get stomped. That made me cry. Music is supposed to be something of love. I remember we were doing, ‘When It Gets Gangsta,’ then the people tried to get gangsta and stomp a kid into the ground. I guess he threw up the wrong sign or something. I just stopped singing and made them turn on the lights. It just so happened to be the promoter’s nephew. I know if I had said anything, he would have died. That would have to be my turning point; I called my publicist and long time friend in tears. I couldn’t understand why no one cared when I tried to stop the show. I don’t want to make any more music that incites those types of feelings.
Case is an independent publication intended for all those interested or curious in urban culture and the elements surrounding the lifestyle. Our motivation is inspired by progression, evolution, and participation in the arts and media. We are an outlet and active source for people who love the culture and those who reinforce its many aspects. We support and encourage those who provide exposure for individuals, those who have made moves, those who are making moves, and those who aspire to make moves. Our goal is simple; to capture the vital elements and diverse nature of music and underground culture. Whether it be a sold out show, experimental idea, or just someone slapping a sticker on a telephone booth, we will be there and bring it to you.